Paula Tesoriero is New Zealand’s Disability Rights Commissioner. It is her role to protect and promote the rights of disabled New Zealanders.
She is also a Paralympian cycling gold medalist, a former lawyer, was a general manager at Stats NZ and at the Ministry of Justice, has held a range of governance roles on various Boards and is a mum.
Paula was recently announced Chef de Mission for the NZ Paralympic team heading to Toyko in 2020.
David T. Mitchell, Cameron S. Mitchell and Sharon L. Snyder
David T. Mitchell
David T. Mitchell is a scholar, editor, history and film exhibition curator, and filmmaker in the field of disability studies. His books include the monographs Narrative Prosthesis: Discourses of Disability (2000), Cultural Locations of Disability (2005), The Biopolitics of Disability: Neoliberalism, Ablenationalism, and Peripheral Embodiment (2015), and the collections The Body and Physical Difference: Discourses of Disability (1997), A History of Disability in Primary Sources, volume 5 of The Encyclopedia of Disability, and The Matter of Disability (2019). He curated The Chicago Disability History Exhibit (Vietnam Veterans Memorial Museum, 2006) and assembled the programs for the Screening Disability Film Festival (Chicago, 2006), as well as the DisArt Independent Film Festival (Grand Rapids, MI, 2015). His four award-winning films include Vital Signs: Crip Culture Talks Back (1995), A World without Bodies (2002), Self Preservation: The Art of Riva Lehrer (1995), and Disability Takes on the Arts (1996). He is currently working on a new book and feature-length documentary film on disability and the Holocaust, tentatively titled Disposable Humanity.
Cameron S. Mitchell
Cameron S. Mitchell grew up in the small snow-covered town of Marquette, Michigan. From an early age he found himself traveling the world with his parents who made documentary films as a part of their studies. Cameron pursued a double major in Film and Visual Anthropology at Temple University, and made his first and second short documentaries “Mehul the Music Teacher” and “Branded” during his time there. He also directed a short biographical documentary of Sharon Pinkenson for the Greater Philadelphia Film Office while enrolled at Temple. Not one for wasting time, Cameron immediately started his own production company “CSM Productions” in 2013, the year he graduated. The first commercial he directed for Toyota became Addy Award nominated and spawned a 6+ year relationship with Comcast Spotlight, Toyota, and Philabundance documenting the local efforts of those companies to end food insecurity in the Philadelphia area.
While directing, Cameron continues to freelance as a cinematographer and steadicam operator. He has DP’d five feature films to date including The Listing which was presented at the Marché Du Filme at the Cannes Film festival in 2018 and won best feature at the Horror News Net Film Festival. During his career as a director and film freelancer, Cameron has worked with the likes of Ron Howard (“Made in America”, 2013), Aaron Sorkin (“Molly’s Game”, 2017), M. Night Shyamalan (“Split”, 2017), Domenica Scorsese (“Almost Paris”, 2017), Matthew Weiner (“The Romanoffs”, 2018), to name a few. He has lit and shot a share of the Philadelphia Eagles for ESPN Sportscenter among other sports teams.
Cameron makes an active effort to contribute new content to the film industry that represents minority viewpoints, including his most recent narrative short “The Co-Op” (Winner, Bergen International Film Festival) and feature length documentary “Disposable Humanity” (In Production). Both films endeavor to alter the representations of disabled people. Finally, some of his most recent work includes directing the music video “Heartbeat” (2019, featured on Rolling Stone India), camera operating for the Netflix special “A Little Bit Pregnant” featuring Danielle Brooks (“Orange is the New Black), and steadicam operating for the Hallmark Christmas film “Rediscovering Christmas” (2019, featuring Jessica Lowndes and BJ Britt).
Sharon L Snyder
Sharon L. Snyder’s career includes a range of work as an author, artist, activist, and filmmaker. Her books include Narrative Prosthesis: Disability and the Dependencies of Discourse (2000), Cultural Locations of Disability (2006), and The Biopolitics of Disability: Neoliberalism, Ablenationalism, and Peripheral Embodiment (2015). She has also edited three collections: The Body and Physical Difference: Discourses of Disability (1997), A History of Disability in Primary Sources, volume 5 of The Encyclopedia of Disability, and The Matter of Disability (2019), as well as authored more than thirty- five journal articles and chapters. She has curated a museum exhibit on disability history at the National Vietnam Veterans Memorial Museum, curated disability film and arts programming for festivals and conferences, and created four award-winning documentary films: Vital Signs: Crip Culture Talks Back (1995), A World without Bodies (2002), Self Preservation: The Art of Riva Lehrer (2005), and Disability Takes on the Arts (2006).